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Laura Alejandra Cagua López Pregrado en Música, Universidad INCCA de Colombia (2020) Fundamentación en tecnica Vocal. SENA (2021) ​ Profesional en la música, y especialmente en el area vocal, comprometida con los procesos y técnica de sus estudiantes. Manejando varias técnicas didacticas y pedagogicas para que los mismos lleguen a óptimas condiciones en sus tarimas. Actualmente se desemeña como docente en distintas instituciones de la ciudad de Bogotá. Volver

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Danzas para adultos Dirigida a estudiantes de 18 años en adelante sin límite en edad. ♪El objetivo de cada clase será generar un mejor acondicionamiento para mantener el cuerpo y la mente en forma. ♪Se trabajan ritmos como: * Bachata * Folklor * Merengue * Rumba * Salsa * Ritmos Urbanos

Return Clarinet, Saxophone or Trumpet GENERAL PURPOSE: The student acquires the ability to execute the Instrument in its natural register, based on the principles of relaxation and control over his body and the instrument, identifies and applies in his study routine an adequate body posture, eliminating bad habits in breathing and arrangement of the embouchure, with the main objective of producing a warm, wide and friendly sound. A. INDIVIDUAL MODALITY Hourly Intensity: 1 hour per week Total: 4 hours per month A. GROUP MODALITY Hourly intensity: 2 weekly sessions of two hours each. Total: 8 hours per month Space: Maximum 2 students per group. CONTENTS: * Basic technique * Handling the embouchure * Breathing and relaxation * Approach to the score * Styles Repertoire: Classic and Popular

Return Percussion INSTRUMENTS: Congas, *Bongo drum *Drum * Peruvian Cajon and flamenco * Colombian Folk Percussion * Minor percussion (Bells, maracas, tambourines, etc ..). STYLES AND RHYTHMS: * Salsa (Cuba, Puerto Rico, New York). *Fusion, * Colombian Folklore, * Latin American Folklore. CONTENTS: * Reading of Guides for the Percussionist. * Accompaniment concepts according to group format (Ex: Orchestra, Combo, Son Group, Fusion Group Etc.). * Conformation of Assemblies METHODOLOGY: * Individual class Hourly intensity: 1 hour per week Total: 4 hours per month

Return Guitar (Classical and Electric) Guitar classes taught at EMBO are focused in different ways, depending on the objectives and concerns of the students. We offer different options: * Guitar classes for children (5 years to 10 years) * Guitar classes for students focused on taking the exam to the University. * Guitar for amateurs from 11 years onwards. OBJECTIVES: * Know historical and evolutionary aspects of the Guitar * Identify and know the parts of the Guitar and its functionality, as well as the care and maintenance of it. * Implement a suitable posture for the correct instrumental performance . * Develop fingering techniques for the right and left hands. * Know fundamental aspects of Music theory and apply them to Instrumental interpretation. * Interpret scales at one, two and, three octaves with suitable fingerings. * Know fundamental aspects of Harmony applied to the Guitar (handling of chords, harmonic progressions in specific musical works, tonal identification). * Develop skills at a melodic and / or rhythmic level in instrumental performance . * Implement the progressive assembly of a repertoire that covers different periods, styles, geographical areas, genres and composers, taking into account the abilities, needs and interests of the student. * Contextualize the musical performance in the current environment in which the student works. A. INDIVIDUAL MODALITY Hourly intensity: 1 hour per week Total: 4 hours per month B. GROUP MODALITY Hourly intensity: 2 hours per week Total: 8 hours per month Space: maximum 3 students CONTENTS: * Interpretive technique * Musical fundamentals * Solfeggio Applied to the Instrument * Styles *Repertoire

Instruments At EMBO we offer classes: * PRESENTIAL *VIRTUAL * AND / OR AT YOUR HOME Go back to start "Music is a technical problem of melody, harmony and rhythm for professionals and an expression of the soul that contains all human feelings, for those who truly love it with all their hearts" (Kurt Pahlen) Guitar (Classical and Electric) + Read more Lyrical song, popular, re-education of the spoken voice + Read more Drums + Read more Organet / Piano + Read more Vallenato Accordion + Read more Percussion + Read more Fiddle + Read more Wind instruments + Read more Electric bass + Read more

Return Juan David Tellez Artistic Drawing and Multimedia Master in Plastic Arts graduated from the School of Arts and Letters (2020). Professional technician in artistic techniques with an emphasis on arts of color (2018). Diploma in strategies and tools for product development in creative and cultural industries (2018). With two years of experience in teaching different artistic techniques, such as: drawing, painting, sculpture, among others. He has participated in several exhibitions, the most important of which was exhibited at the 101 Estudio gallery and at the School of Arts and Letters. His most recent plastic work is entitled "fragmentation of a space for a space", where concepts such as city, architecture and color were addressed. These works highlighted the plasticity and richness of everyday objects to bring them through large-format painting. With job skills such as creativity, punctuality and commitment.

Joseph Calderón Maestro en Artes Musicales. Egresado del Proyecto Curricular de Artes Musicales (PCAM). Universidad Distrital Francisco José de Caldas. Facultad de Artes ASAB. Magister en Ciencias de la Educación y Procesos Cognitivos. Maestrante en pedagogía del programa de maestría Ciencias de la Educación y Procesos Cognitivos. Universidad Cuauhtémoc. Joseph calderón es profesional respetuoso, con alto sentido de pertenencia que continuamente busca retroalimentar su conocimiento. Así mismo, posee capacidad de liderazgo y servicio en la realización de los objetivos académicos e institucionales con dinamismo, puntualidad, exigencia y trabajo en grupo. ​ Actualmente El Matro Calderon trabaja en diferentes instituciones educaticvas. Academia Musical Staff (abril 2019 – actualidad) Allí se desempeña como Profesor de Música. Énfasis en Percusión Batería. Función: Maestro a cargo del programa y contenidos del énfasis en modalidad presencial y virtual. Club Artístico ATO (junio 2018 – actualidad) Aqui tambien se desempeña como Profesor de Música. Énfasis en Percusión Batería. ​ En su funcion como arreglador y director musical se desepeña en los siguientes lugares. Parroquia Cristo Rey . (febrero 2019 – julio 2109) Músico en servicios parroquiales. Función: Músico intérprete de Batería en las obras preparadas para Los servicios dominicales. Iglesia Cristiana Misión Vida Emanuel . (febrero de 2019 – enero de 2022) Director musical. Función: Maestro a cargo de los arreglos, adaptaciones e interpretaciones de las canciones e himnos preparados para los servicios de culto. ​ Volver

Return Felipe A. Díaz Gómez Saxophonist Teacher, Musical Director and interpreter of Transverse Flute, clarinet, saxophone and guitar. Interpreter and director of the Bacatá Saxophone Quartet Big sax (2020), Founder and director of the instrumental vocal group of music Bacatá Big Band (2013) founder and director of the vocal group school music instrumental The Petitte Big Band (2005-2016). He advanced musical studies at the Fundación Orquesta Juvenil de Colombia at the Luis A Calvo Academy, the University of Cundinamarca, and Bachelor of Arts Francisco José de Caldas District University. His career as a music instrumentalist has allowed him to participate in various festivals and musical groups such as: flutist of the orchestra Symphony Youth of Colombia, member of the Youth Symphony choir from Colombia, Flutist of the REAL BIG BAND group, flutist and guitarist of the chamber quartet Sueños de Arte, guitar and charango in the Guandy group. Currently his musical impulse stands out in teaching, participating in various musical projects with children and young people in Colleges and Schools of musical formation of the city of Bogota.

Return Josè Manuel Ruiz Herrera Arranger, Composer and Classical Guitarist Academic Director EMBO. Degree in Philology and Languages ​​from the National University of Colombia. Professional Art Card Number 4429, Music Area, by the Ministry of National Education, Resolution No. 229, of August 17, 2007 Musical Studies at the Emilio Murillo District Academy, Amadeus Musical Association and Pontificia Universidad Javeriana. Classical Guitar Studies with Maestros Hernán Sandino Velásquez (Colombia), Eduardo Fernández (Uruguay), Shin-Ichi Fukuda (Japan), Briggite Saczek (Austria), Rafael Serrallet (Spain), Luis Quintero (Venezuela) and Arturo Parra (Colombia) ). He has served as Professor of the Music Career at the University of Cundinamarca, founder and Director of the Estudiantina UDEC in said Institution, Professor of the Conservatory of Music of Huil (Neiva), Professor of Classical Guitar and Director of the Estudiantina of the Municipal Institute of Culture Joaquín Piñeros Corpas, from Tabio (Cundinamarca), in the House of Culture of Cajicá Classical guitarist. Composer and arranger. He has won various National Musical Interpretation Competitions at the National level. In 2006 he obtained the National Prize for Cortiple Composition, with his work Concerto de los Andes, for Tiple and Chamber Orchestra. In 2020 he participated in the Courses Inventing the Guitar and Introduction to Research on Musical Interpretation, at the University School of Music (University of the Republic of Uruguay), in Montevideo.

Steven Salamanca Cartagena Diplomado en Metodologias De Formacion Musical Pontificia Universidad Javeriana 2017. Maestro En Música Universidad Incca De Colombia Bogotá 2012. ​ Steven Salamanca es Maestro en música con conocimientos en Batería y Percusión como instrumento principal, actualmente es jefe de area, profesor académico, docente, tallerista, director de ensamble, músico de sesión y artista en vivo. por otra parte tambien maneja instrumentos funcionales: piano, guitarra, bajo, percusión y teoría musical. Participo en diferentes talleres y cursos magistrales: Juan Camilo Anzola: Lenguaje Del Jazz Germán Sandoval: Músicas Del Mundo Juan Sebastián Monsalve: Historia Del Jazz Pedro Ojeda: Ritmos Latinoamericanos Juan Manuel Toro: Jazz Colombiano Eblis Álvarez: Arreglos Musicales pequeños formatos Alex Martínez: Percusión Folclórica Ramón Valle: Música Afrocubana Jorge Sepúlveda: Grooves No Convencionales Urian Sarmiento: Ritmos De Música Colombiana Andrés Briceño: La Batería En Formato Big Band Paul Bernard Maddox: Lenguaje De La Batería Hermeto Pascual: Ritmo Brasileros y lenguaje del jazz John Medeski: Jazz Contemporáneo Carlos Reyes: Ritmos y lenguaje de la musica llanera Joe Lévano: Fraseo En El Jazz Pablo Schlesinger: Arreglos musicales, piano jazz, armonización y composición moderna Chepe Ariza: Técnicas Vanguardistas aplicadas a la música Colombiana entre otras capacitaciones. Volver